Miranda Otto Discusses Perspectives on Acting, Fandom, and Unexpected Gifts.
In a candid discussion, Miranda Otto opens up on topics ranging from her newest character as Queen of the Cuttlefish to the profound lessons gleaned from onstage mishaps and meeting admirers.
If You Could Be a Fish for a Day
The most recent character portrays Queen of the Cuttlefish in The Pout-Pout Fish; supposing you had the opportunity to be a fish for a day, which one would it be and why?
Straight away, the blue groper found at a specific shoreline – since it is a local landmark, and individuals visit specifically to spot it. I just think it’s cool that there’s a local fish that people actually go and see and talk about – it’s a special fish.
A Cinematic Staple to Return To
What film do you always return to, and why?
The 1942 film To Be Or Not To Be. I adore this picture. When I was childhood, it would air on the ABC every now and again, and once I videotaped it. I found it was so funny. It stars the legendary Carole Lombard and comedian Jack Benny. Recently they were playing it at the Ritz and I discovered that it was the preferred movie of a friend of mine, and so we went and just laughed repeatedly. It’s such masterful work of humor and all the actors in it are superb. The director Mel Brooks did a remake in the 1980s – which was not as effective. But the original film is a brilliant comedy, to be watched regularly.
The Best Lesson Gained Through a Co-Star
What’s the best lesson you took away from someone you’ve worked with?
I was doing A Doll’s House with Pete – my husband now, but back then we were not a couple. We were playing as scene partners and on opening night I tripped up – I jumped ahead a few lines in the script. I didn’t know of my error but I suddenly realised something wasn’t right. I remember looking at him, and he completely saved me, and then our performance took off again and went really, really well. However, I believe what I learned in that moment was, first, always trust the individuals in your scene. When you lose your place, by looking and toward the actors you’re with, you can rediscover your correct position somehow. It is a profoundly collaborative endeavor, performing live. And secondly, just to have a sense of fun about it. Occasionally when something goes wrong, things actually spark off in a really great way provided you are fully engaged then. It can be an unexpected boon when things go completely the wrong way.
Heartening Exchanges with Admirers
What’s been your most touching interaction with a fan?
It’s not a single specific meeting but when I encounter devotees of Lord of the Rings, particularly women, I hear a lot of accounts about what Eowyn meant to them when they were growing up … things that had happened in their lives and the extent to which Eowyn signified for them and was a form of support to them during those periods.
Which questions get asked about the most by Lord of the Rings fans?
The most specific question is always about that infamous meal that Eowyn serves Aragorn. “Was the stew really that bad?” It’s become such a joke, the whole thing involving that dish, and everyone wants to know what was in the pot, and its preparation method, and in your opinion she’s a better cook now, or do you think she really is a bad cook? People are, I think, fascinated by the comedy of that scene. And I go into great detail listing the components that made up the concoction – as I recall what they did; such as adding pieces of red cotton to simulate the appearance like blood vessels in the meat. The crew employed great detail to make it look as bad as possible.
A Cringeworthy Star Meeting
What’s been your most embarrassing run-in with a famous person?
I was at a fitness session and another participant lying down exercising, and the instructor said to me, “Oh, Miranda, this is Miranda.” And I made some joke about, “might you be a journalist?” Since Miranda is an unusual name and most of the time when I meet another Miranda, they’re a journalist. I hadn't properly identified her. And as she rose, it was the actress Miranda Richardson. At that point, I didn’t know what to say. I still had to complete my class, and I felt so embarrassed. I wished to explain: “Goodness, I am aware of your work!” I consider she’s so fabulous and I was just too starstruck to utter a syllable.
The Source of a Moniker
Articles have repeatedly stated that you were given your name from Prospero’s daughter in Shakespeare’s The Tempest, and yet you've mentioned you saying otherwise – can you clarify this definitively?
Yes – I was christened for the Sydney suburb. My mother heard on the radio that they were opening a mall at Miranda, and she thought sounded like a pleasant choice.
Pandemonium on Location
What was the chaotic thing that’s ever happened on set?
While working in Brazil for the film Reaching for the Moon I experienced the least organized set I’ve ever worked on, and yet the final product emerged brilliantly. But the local crew operated in a distinct manner. The sense of time there is unique. In Australia, you normally have a schedule and you have to be on set by a certain time. But this was sort of open ended – one would appear at one's convenience. It was a novel approach for me. All aspects were all coming together at the final moment, and at times the plan was unclear where they were shooting the next day the methodology. And then I would be in during a scene and be like, “What was that noise that just interrupted the scene? Oh, it’s a crew member popping open a bottle on set, to start a party.” It turned out great, but goodness, it’s a distinct approach to film-making.
A Hidden Skill
What are you secretly good at?
I’ve always been an aptitude for numbers. I memorise numbers more readily than I memorise words often, I simply have a numerically-oriented mind. So I think if I hadn’t ended up in acting, I likely might have entered a field something to do with numbers, like math or finance.
The Best Guidance Given
What is the greatest piece of advice you have ever received?
During my time in high school, a speaker addressed us when we were graduating and stated, “have no fear to fail” … an idea I consider is the best piece of advice, since one gains so much more from failure than you learn from success. With success, one rarely comprehends precisely why it happened. With failure, the lessons are abundant.